Jingdezhen Porcelain and the Transformation of China. In progress.
Water Moon Reflections. Co-editors: Ellen Huang, Nancy G. Lin, Michelle McCoy, Michelle H. Wang, eds. Berkeley: IEAS Publications, 2021.
Ink Worlds: Contemporary Chinese Painting from the Collection of Jerry Yang and Akiko Yamazaki. Co-edited with Richard Vinograd. Stanford, CA: Stanford University Press and Cantor Arts Center, 2018.
Water Moon Reflections. Co-editors: Ellen Huang, Nancy G. Lin, Michelle McCoy, Michelle H. Wang, eds. Berkeley: IEAS Publications, 2021.
Ink Worlds: Contemporary Chinese Painting from the Collection of Jerry Yang and Akiko Yamazaki. Co-edited with Richard Vinograd. Stanford, CA: Stanford University Press and Cantor Arts Center, 2018.
“Before Porcelain and Material Histories of Whiteness,” in Routledge Companion to the Global Renaissance, eds. Stephanie Porras and Stephen Campbell. London: Routledge, 2024.
"Translating the Porcelain Pagoda of Nanjing, ca. 1400-1900." in Jewels and and Other Shiny Things in the Buddhist Imaginary. Edited by Vanessa Sasson. Honolulu: University of Hawai'i Press, 2021.
"Ineffable Gloss: Qing Ornament on Porcelain." Co-authored with Mary Lewine in Water Moon Reflections: Essays in Honor of Patricia Berger. Edited by Ellen Huang, Nancy Lin, Michelle McCoy, Michelle H. Wang. Berkeley, CA: IEAS Publications, 2021.
"An Art of Transformation: Reproducing Yaobian Glazes in Qing Dynasty Porcelain." Archives of Asian Art 68:2 (Fall 2018).
Published in translation as Zhuanhuan de yishu—Qingdai ciqizhong yaobianyou de zaixian,” 转变的艺术--清代瓷器中窑变釉的再现 in Zhongguo yishude caizhi xing《中国艺术的 “材质性”----古往今来》ed. Wu Hung. 上海书画出版社出版, forthcoming in 2023.
"From the Imperial Court to the International Art Market: Jingdezhen Porcelain as Global Visual Culture." Journal of World History 23:1 (March 2012).
"There and Back Again: The Material Objects of the First International Exhibitions of Chinese Art: Shanghai, London, and Nanjing, 1934-1936." in Collecting "China": The World, China, and a Short History of Collecting. Edited by Vimalin Rujivacharakul. Newark, DE: University of Delaware Press, 2010.
"Beauty in a Broken World: Guo Pei Re-imagines Ornamental Objects." Fine Arts Museums SF Legion of Honor. June 8, 2022.
"Curatorial Insight on Clouds in East Asian Art." Art & Object. Aug. 27, 2021.
“Encountering Korean Art through Material Culture Installations in the Cantor Arts Center, Stanford University: A Stitched but Not Fixed Chaekgeori, ca. 1880s.” In NMK 2018 Museum Network Fellowship Research Papers (Seoul: National Museum of Korea Press, 2015).
"Translating the Porcelain Pagoda of Nanjing, ca. 1400-1900." in Jewels and and Other Shiny Things in the Buddhist Imaginary. Edited by Vanessa Sasson. Honolulu: University of Hawai'i Press, 2021.
"Ineffable Gloss: Qing Ornament on Porcelain." Co-authored with Mary Lewine in Water Moon Reflections: Essays in Honor of Patricia Berger. Edited by Ellen Huang, Nancy Lin, Michelle McCoy, Michelle H. Wang. Berkeley, CA: IEAS Publications, 2021.
"An Art of Transformation: Reproducing Yaobian Glazes in Qing Dynasty Porcelain." Archives of Asian Art 68:2 (Fall 2018).
Published in translation as Zhuanhuan de yishu—Qingdai ciqizhong yaobianyou de zaixian,” 转变的艺术--清代瓷器中窑变釉的再现 in Zhongguo yishude caizhi xing《中国艺术的 “材质性”----古往今来》ed. Wu Hung. 上海书画出版社出版, forthcoming in 2023.
"From the Imperial Court to the International Art Market: Jingdezhen Porcelain as Global Visual Culture." Journal of World History 23:1 (March 2012).
"There and Back Again: The Material Objects of the First International Exhibitions of Chinese Art: Shanghai, London, and Nanjing, 1934-1936." in Collecting "China": The World, China, and a Short History of Collecting. Edited by Vimalin Rujivacharakul. Newark, DE: University of Delaware Press, 2010.
"Beauty in a Broken World: Guo Pei Re-imagines Ornamental Objects." Fine Arts Museums SF Legion of Honor. June 8, 2022.
"Curatorial Insight on Clouds in East Asian Art." Art & Object. Aug. 27, 2021.
“Encountering Korean Art through Material Culture Installations in the Cantor Arts Center, Stanford University: A Stitched but Not Fixed Chaekgeori, ca. 1880s.” In NMK 2018 Museum Network Fellowship Research Papers (Seoul: National Museum of Korea Press, 2015).
